The idea of a movie about an evil mirror tormenting and killing people over the years may seem a little silly, but 'Oculus' makes it work. Set in two time frames, it tells the story of how the "Lasser Glass" destroyed one family and how the survivors reunite years later to exact their revenge. We have an exclusive look at the history of this (thankfully fictional) object, narrated by star Karen Gillan who rips off a monologue on all the mirror's devilish deeds.
With 'Joe' about to hit theaters, audiences will soon get a reminder of just how good Cage can be. But let's celebrate his long-awaited return to excellence by combing through his filmography and picking the moments that best define his special brand of craziness. Anyone can be good, but only Nicolas Cage can be Nicolas Cage.
After years of playing second fiddle to Disney in the theme park business, Universal is officially coming out swinging. In addition to an expanded focus on their Harry Potter and Simpsons licenses, and a new 'Despicable Me' ride, they have finally announced an attraction based on their massively popular 'Fast and Furious' franchise.
Few genres are as ripe for parody as sports dramas, and the upcoming 'Intramural' looks like it'll fit the bill quite nicely. The trailer for the small sports comedy made its way online, and if the rest of the film is as weird and funny as these two-and-a-half minutes, it could be something to keep an eye on.
After a decade of toiling away at big-budget blockbusters like 'Iron Man' and 'Cowboys and Aliens,' director Jon Favreau is returning to his independent roots with 'Chef.' The trailer for the summer release is has arrived and, if you'll pardon the terrible pun, it looks pretty delicious.
Sometimes, 'SNL' creates a sketch that aims for a very specific demographic and just goes all-out in its attempt to win over that specific audience. We can argue as to whether or not this 'The Little Mermaid' sketch starring guest host Anna Kendrick is successful, but it's the kind of thing that was certainly designed to appeal to viewers who grew up with Disney, have a thing for 'Pitch Perfect,' and can recognize lousy modern pop songs.
It's always a pleasant surprise when 'SNL' digital shorts look and feel more like complete short films than simply filmed sketches. Last night's episode produced one of the more interesting shorts in a long time, reflecting a voice that felt about as far from the show's "house style" as possible. It's still lowbrow in that typical 'SNL' way, but its lowbrow-ness is strangely low key and weirdly sweet ... until it's not.
Like so many comedy shows, 'SNL' has occasionally felt like a boy's club, with the guys getting much of the best material, crazier characters and more memorable sketches. This has shifted in recent years and now the women of the show are allowed to get just as weird and nasty as their male counterparts. In a way, it all feels like it's been building up to this. Are you ready for "Dongs All Over the World"?
There was no way 'SNL' was going to get 'Pitch Perfect' star Anna Kendrick to host without giving her a big musical number, and the show got it over and done with early on. In her opening monologue, Kendrick talked about her musical theater roots and how good it felt to be on a New York Stage of any kind before breaking into a fantastic parody of "Bonjour" from Disney's 'Beauty and the Beast.'
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