I have no firsthand knowledge of how the CIA works. (You are shocked, I'm sure.) Yet among the things that has me so excited about Kathryn Bigelow's major new achievement, 'Zero Dark Thirty,' is that I come away from it thinking “yeah, that feels right.” So much in this story of “how we got Bin Laden” is a mixture of bullheaded perseverance and dumb luck. We've heard about “the fog of war” but this film shows the fog of intelligence. This look at world's biggest manhunt may be the best manhunt movie ever made.
I can only take so much. I approach a family-friendly film with as open of a heart as possible, but when hit in the face with the shovel of whimsy and wonderment and wide-eyed optimism over and over and over again, eventually, I have to strike back. Sorry, 'Rise of the Guardians' - there's a lot that is admirable in you, particularly some of your design work, but you brought this on yourself.
Do yourself a favor, don't fall in love. This is my interpretation, at least, of Joe Wright's highly stylized version of Count Leo Tolstoy's "best novel ever" 'Anna Karenina' (which, I may as well fess up, I've never read).
With an asinine plot, risible dialogue and atrocious acting, this sequel to a half-remembered video game adaptation still manages to provide a great number of base thrills with its nightmarish imagery. As such it is a quagmire of dread both within and without, disturbing to watch and to think about. This makes for a strange alchemy: in time you identify with the lead character (a young woman in peril) not because you are engaged with the film, but because enduring such an atrocity becomes its own act of survival. How 'bout that for a neat trick, eh?
What's wrong with a little good clean fun? While a cappella versions of the biggest pop hits of the '80s, '90s and today are not exactly my jam, a crowd-pleasing comedy with a few unexpected subversive moments can be. It would take a misanthrope of the highest order to dislike 'Pitch Perfect,' preposterous and predictable though it may be.
My wife doesn't follow movie news and is impervious to advertising. "What is this, a baseball movie?" she asked as we settled in for 'Trouble with the Curve.' "Kinda," I said. "Clint's a gruff baseball scout, out on the road with his estranged daughter." "Uh-oh," she chimed as the lights dimmed. "Life lessons!"
Life lessons indeed, and they come at you with the subtlety of an aluminum bat cranking a deep line drive. Clint, craggier than ever, begins each day arguing with his prostate, eating junk food and rooting through a stack of papers reporting high school and college score results. "He's the last scout in the majors who doesn't use a computer!" they muse at the Braves' home office. Nasty, conniving Matthew Lillard means it in a bad way, while John Goodman looks fondly upon Clint's old fashioned ways.
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