Suddenly, Disney’s upcoming live action version of Beauty and the Beast is looking like a very wise move. After all, their new take on Cinderella shook the box office out of the doldrums, launching with numbers that feel more at home with the summer than March. Yes, it even took down that might spring movie season titan Liam Neeson.
Tomorrowland is only a few months away and we still know very little about director Brad Bird’s new science fiction adventure. Although that may change in just a few days! Disney has revealed a new poster for the film and along with it, a date for the new trailer.
It’s an undisputed scientific fact that Beauty and the Beast’s Gaston is the greatest villain in the Disney animated canon. After all, we’re talking about a guy whose theme song is all about how many eggs he eats and how every last inch of him is covered in hair. Sorry Maleficent, you have nothing on this guy. So, the news that Luke Evans has been cast as Gaston in Disney’s upcoming live action take on Beauty and the Beast has us feeling awfully judgmental. Sure, Evans is a good actor, but is he Gaston good?
After six years, one of the Oscars’ boldest (and most desperate) experiments may be coming to an end. In 2009, the Academy Awards changed its rules to allow up to 10 films to receive Best Picture nominations. The thought process was simple enough: with double the potential nominees, more mainstream fare could get nominated and ratings for the annual Oscars telecast would increase. But that didn’t work. This year’s ceremony was a disaster (in more ways than one) and the Academy is apparently ready to call this whole thing off and return to the old ways.
With Dakota Johnson guest hosting, last night’s SNL had no shortage of 50 Shades of Grey jokes. For her part, Johnson seemed equally bemused and embarrassed by her controversial new hit, rolling with whatever the show threw at her and always coming out looking far better than her naysayers expected. Her ability to make fun of herself and the film that has turned her into an overnight movie star really came together in the only sketch of the night that required her to play herself.
Last year, John Travolta took the Oscar stage to introduce Idina Menzel so she could perform “Let It Go” from Frozen. What should have been a very simple, teleprompter-aided introduction quickly became a Big Deal when Travolta stumbled over his words. Instead of “Idina Menzel,” Travolta said “Adele Dazeem.” An internet meme was born and everyone added another great John Travolta joke to their repertoire. The 2015 Oscars decided to revisit that memorable flub and the results were weird, awkward, and yeah, pretty funny.
For many viewers, the Oscars are are chance to snark and make fun of everything that happens on stage (and can you blame ‘em?). But then the “In Memoriam” segment comes around and reduces even the most cynical person to puddle of bubbling tears. The 2015 Oscars “In Memoriam” is no different, offering a whirlwind tour through a year’s worth of beloved people who passed away. Get ready ... it’s about to get a little dusty in here.
The Oscars may not carry the same amount of commercial clout as the Super Bowl, but it still offers advertisers an opportunity to appeal to a very specific audience. In this case, it’s Apple and legendary filmmaker Martin Scorsese teaming up to sell the cinematic potential of the iPad. And yes, this commercial wants to tug on your heartstrings.
Every single film production hits snags and runs into problems. Some are just a little more public than others. Now, the troubles facing the upcoming Mission: Impossible 5 have become public and they certainly sound bad on paper: Production has been temporarily shut down while director Christopher McQuarrie rushes to fix what is apparently an “unsatisfactory” ending. That’s an ominous sign for a movie that recently had its release date pushed up from December to July.
In between all of the tributes and montages and musical performances, the SNL 40th Anniversary Special actually found time for some original content. Right after a montage celebrating the short films that have been featured on the show over the years, Zach Galifianakis took to the stage to introduce a new digital short from Andy Samberg and Adam Sandler. Unlike most of Samberg’s original shorts, which usually traded in genial silliness, this one looked inward and examined a subject that everyone who has ever been on the show should be familiar with: breaking character.
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